Under the Sea (Unique state print)
Under the Sea (Unique state print)
Self portrait (of one of us). Oct, 2023 (Polaroid)
Self portrait (of one of us). Oct, 2023 (Polaroid)
Lush #71.  Feb 2023.  (Photography)
Lush #71. Feb 2023. (Photography)
The essence of self (i) , 2023.  (Photography)
The essence of self (i) , 2023. (Photography)
Melb Sept #08, 2023. (polaroid- mixed media)
Melb Sept #08, 2023. (polaroid- mixed media)
Breaking through walls.. . Melb, July #15, 2023. (Polaroid)
Breaking through walls.. . Melb, July #15, 2023. (Polaroid)
Melb August #12, 2023. (Polaroid)
Melb August #12, 2023. (Polaroid)
Melb, #10. May 2023. (Polaroid)
Melb, #10. May 2023. (Polaroid)
Manhattan, Downtown #09.  Feb 2023. (Photography)
Manhattan, Downtown #09. Feb 2023. (Photography)
Melb #36. Nov, 2022. (Polaroid)
Melb #36. Nov, 2022. (Polaroid)
NYC #08. Jan, 2023. (Polaroid)
NYC #08. Jan, 2023. (Polaroid)
non-objective thoughts iii . August, 2023. (photography)
non-objective thoughts iii . August, 2023. (photography)
Pareja rara (Photography- soaked Polaroid)
Pareja rara (Photography- soaked Polaroid)
Flora #07 (B roll). Oct, 2022.  (photography- boiled 35mm Film)
Flora #07 (B roll). Oct, 2022. (photography- boiled 35mm Film)
Flora #07 (D roll), Oct 2022. (photography- boiled 35mm film)
Flora #07 (D roll), Oct 2022. (photography- boiled 35mm film)
Flora #53.  Sept, 2022. (photography - boiled 35mm film)
Flora #53. Sept, 2022. (photography - boiled 35mm film)
NYC #5. Jan, 2022. Intentionally damaged Polaroid film.
NYC #5. Jan, 2022. Intentionally damaged Polaroid film.
New England landscape (USA) #06 022022 .  Intentionally damaged Polaroid. (photography, mixed media).
New England landscape (USA) #06 022022 . Intentionally damaged Polaroid. (photography, mixed media).
NYC #26, Feb 2022.  Intentionally damaged Polaroid. (photography, mixed media)
NYC #26, Feb 2022. Intentionally damaged Polaroid. (photography, mixed media)
NY #4658 012022 . Mixed media. Damaged Polaroid, watercolour, paper.
NY #4658 012022 . Mixed media. Damaged Polaroid, watercolour, paper.
NYC #03, Feb 2022. Collab with Azzolinus . Intentionally damaged Polaroid.
NYC #03, Feb 2022. Collab with Azzolinus . Intentionally damaged Polaroid.
NYC #11, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #11, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #06, jan 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #06, jan 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #09, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #09, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
Vase #06 . October 2021 . 'A' Roll.  . Kodak Gold 200, 35mm film. Boiled (and then I froze and reboiled). (photography)
Vase #06 . October 2021 . 'A' Roll. . Kodak Gold 200, 35mm film. Boiled (and then I froze and reboiled). (photography)
Abstract #02 . October 2021 . 'B' Roll.  . Fuji C200 200, 35mm film. Boiled (and then I froze and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'B' Roll. . Fuji C200 200, 35mm film. Boiled (and then I froze and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'A' Roll.  . Kodak Gold 200, 35mm film. Boiled (and then frozen and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'A' Roll. . Kodak Gold 200, 35mm film. Boiled (and then frozen and reboiled). Multiple exposure. (photography)
Beyond. (photography)
Beyond. (photography)
Where we meet. 110621 (photography)
Where we meet. 110621 (photography)
A Lightness. (#06).  August 2020.  Analogue manipulation of various 35mm films. (photography)
A Lightness. (#06). August 2020. Analogue manipulation of various 35mm films. (photography)
Hidden in the detail.  August 2020.  Stacked RPX100 35mm film. (photography)
Hidden in the detail. August 2020. Stacked RPX100 35mm film. (photography)
Some masks protect... . #46 Sept, 2021 . Photography, collage. Hands by Mr Met! . Shot on 35mm film: Fuji C200 (soaked in red wine and salt). (photography)
Some masks protect... . #46 Sept, 2021 . Photography, collage. Hands by Mr Met! . Shot on 35mm film: Fuji C200 (soaked in red wine and salt). (photography)
 fold e.     Artist: Schiavello (with Southcott). (photography)
fold e. Artist: Schiavello (with Southcott). (photography)
fold d.  Artist: Schiavello (with Southcott)  (photography)
fold d. Artist: Schiavello (with Southcott) (photography)
fold j. Artist: Schiavello (with Southcott) (photography)
fold j. Artist: Schiavello (with Southcott) (photography)
fold i.  Artist: Schiavello (with Southcott) (photography)
fold i. Artist: Schiavello (with Southcott) (photography)
Big Wimmera Sky. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Big Wimmera Sky. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Wimmera Silos. The bright afternoon summer sun reflecting off the metal silos. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Wimmera Silos. The bright afternoon summer sun reflecting off the metal silos. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Self Portrait #11 170417  (Photography)
Self Portrait #11 170417 (Photography)
30:60:90 .  9141 221219  (Photography)
30:60:90 . 9141 221219 (Photography)
Pink and Yellow. #01. Oct, 2020 . (photography)
Pink and Yellow. #01. Oct, 2020 . (photography)
'Blended memory #2. From Swansea to Port Arthur, Tasmania (2019).'  (Photography)
'Blended memory #2. From Swansea to Port Arthur, Tasmania (2019).' (Photography)
Flora #18. Oct, 2020 . (Photography)
Flora #18. Oct, 2020 . (Photography)
Tulips #40. Oct, 2020. (photography)
Tulips #40. Oct, 2020. (photography)
Antwerpen-Centraal. Torn. #1 . (1777 310121) (photography - cut up)
Antwerpen-Centraal. Torn. #1 . (1777 310121) (photography - cut up)
The station. Torn #2 (1683 310121). (photography-Cut up)
The station. Torn #2 (1683 310121). (photography-Cut up)
Our lives... (in black and white)  (Photography)
Our lives... (in black and white) (Photography)
Me and my shadow.  3752 291119  (photography)
Me and my shadow. 3752 291119 (photography)
Still life, with artist. 1.0706 . July, 2020
Still life, with artist. 1.0706 . July, 2020
Still life, with artist. 2.0767 . July, 2020
Still life, with artist. 2.0767 . July, 2020
Still life, with artist. 3.0869 . July, 2020
Still life, with artist. 3.0869 . July, 2020
Still life, with artist. 2.0767 . July, 2020 .
Still life, with artist. 2.0767 . July, 2020 .
Shadow (with lines) #71. . March, 2020. Agfa CT 100, 35mm Film. Soaked in Vodka, Multiple exposures, Negative version.
Shadow (with lines) #71. . March, 2020. Agfa CT 100, 35mm Film. Soaked in Vodka, Multiple exposures, Negative version.
Still life (June, 2020). . Fuji C200 35mm film, soaked in kettle cleaner. Multiple exposure.
Still life (June, 2020). . Fuji C200 35mm film, soaked in kettle cleaner. Multiple exposure.
I have forgotten your face. The lines and features are now just a blur. We knew this would happen... . #30 Feb 2019. Multiple exposures on Boiled 35mm film.
I have forgotten your face. The lines and features are now just a blur. We knew this would happen... . #30 Feb 2019. Multiple exposures on Boiled 35mm film.
A thin line between... . #00A (crop). Feb 2019. Boiled 35mm film.
A thin line between... . #00A (crop). Feb 2019. Boiled 35mm film.
Night Driving. 3am. 9911 070620
Night Driving. 3am. 9911 070620
A monument to life....  9907 070620
A monument to life.... 9907 070620
Lines... 01/09/20
Lines... 01/09/20
AK and I, exploring the city.  Kodak gold 200, 35mm film.
AK and I, exploring the city. Kodak gold 200, 35mm film.
The Photographer  #33   100618  (Photography)
The Photographer #33 100618 (Photography)
iii. From the series  'X’.  ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (Mixed media)
iii. From the series 'X’. ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (Mixed media)
IX.  From the series  'X’.  ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (mixed media)
IX. From the series 'X’. ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (mixed media)
‘If Rothko were me…’  Mixed media (2 x 35mm film. Shot, processed and effected with bleach).  Sept 2018.
‘If Rothko were me…’ Mixed media (2 x 35mm film. Shot, processed and effected with bleach). Sept 2018.
Perfect #2.6  April 2019.  Intentionally interrupted digital scan of 35 mm film.
Perfect #2.6 April 2019. Intentionally interrupted digital scan of 35 mm film.
#5 (in Black and white), November 2018.  Intentionally interrupted digital scan of 35 mm film.  Collaboration with Mr Met!
#5 (in Black and white), November 2018. Intentionally interrupted digital scan of 35 mm film. Collaboration with Mr Met!
I never knew love like this before....  (AKA - Boiled #51). March 2019.  AGFA CT Precisa, 35mm film.
I never knew love like this before.... (AKA - Boiled #51). March 2019. AGFA CT Precisa, 35mm film.
Boiled #03 (positive version) November 2018 . Fujicolour C200, 35mm film.
Boiled #03 (positive version) November 2018 . Fujicolour C200, 35mm film.
'Flora #5 200818'. Mixed media (Flora, 35mm film)
'Flora #5 200818'. Mixed media (Flora, 35mm film)
Multi exposure on 35mm film. Image #27, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #27, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #6, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #6, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Suburban twilight, 180419.
Suburban twilight, 180419.
Always reaching out to each other.  13 120718
Always reaching out to each other. 13 120718
‘Life in slow motion #91  230716′ (Photography)
‘Life in slow motion #91 230716′ (Photography)
‘Life in slow motion #47  230716′  (Photography)
‘Life in slow motion #47 230716′ (Photography)
Object (iv).  091217  (Photography)
Object (iv). 091217 (Photography)
‘Winter light and lines in Bendigo’  2017.  (Photography)
‘Winter light and lines in Bendigo’ 2017. (Photography)
 'Just around the corner...' May 2017. (Photography)
'Just around the corner...' May 2017. (Photography)
Defocused #451 (photography)
Defocused #451 (photography)
“Defocused #449” (photography)
“Defocused #449” (photography)
All my dark thoughts #19 (09/11/15) (mixed media)
All my dark thoughts #19 (09/11/15) (mixed media)
Untitled #13 270415 (a.k.a il pianto)  (mixed media)
Untitled #13 270415 (a.k.a il pianto) (mixed media)
‘Wings of flight #09 181016′ (mixed media)
‘Wings of flight #09 181016′ (mixed media)
Seminal works #10 110116 (mixed media)
Seminal works #10 110116 (mixed media)
‘Seminal works #30 090116′ (mixed media)
‘Seminal works #30 090116′ (mixed media)
new works #7 (06/02/15) (mixed media)
new works #7 (06/02/15) (mixed media)
new works #8 (06/02/15) (mixed media)
new works #8 (06/02/15) (mixed media)
new works #36 (10/02/15) (mixed media)
new works #36 (10/02/15) (mixed media)
new works #30 (10/02/15) (mixed media)
new works #30 (10/02/15) (mixed media)
new works #31 (10/02/15) (mixed media)
new works #31 (10/02/15) (mixed media)
Together, alone . 2690 170921 (photography)
Together, alone . 2690 170921 (photography)
Blood portrait #36 .  from the series ‘Me, through me’ (2017). (photography)
Blood portrait #36 . from the series ‘Me, through me’ (2017). (photography)
Piss ii  (Unique state print)
Piss ii (Unique state print)
Composition #2896. 190921 (photography)
Composition #2896. 190921 (photography)
‘The suburbs #171′  (01/10/15)  (Photography)
‘The suburbs #171′ (01/10/15) (Photography)
'Permit Zone, Fitzroy' (photography)
'Permit Zone, Fitzroy' (photography)
'The day after'.  (a.k.a 'The suburbs #183 081015') (photography)
'The day after'. (a.k.a 'The suburbs #183 081015') (photography)
'Vault/Yellow Peril' (photography)
'Vault/Yellow Peril' (photography)
'The Paris end of Collins st, late night.'  170716 (photography)
'The Paris end of Collins st, late night.' 170716 (photography)
‘the city sleeps…  #12’ (photography)
‘the city sleeps… #12’ (photography)
‘Untitled #76’ (photography)
‘Untitled #76’ (photography)
“Hometown Untitled  #31” (photography)
“Hometown Untitled #31” (photography)
“Hometown Untitled  #26” (photography)
“Hometown Untitled #26” (photography)
IMG_ 2434 (Photography)
IMG_ 2434 (Photography)
IMG_ 0843 (Photography)
IMG_ 0843 (Photography)
IMG_ 0860 (Photography)
IMG_ 0860 (Photography)
IMG_ 0527 (Photography)
IMG_ 0527 (Photography)
'Night falls across the city  (No. 8, 260317)' (Photography)
'Night falls across the city (No. 8, 260317)' (Photography)
‘Night falls #115’ (photography)
‘Night falls #115’ (photography)
‘Somewhere along the Wimmera Highway at dusk #147’ (photography)
‘Somewhere along the Wimmera Highway at dusk #147’ (photography)
’Bruxelles-Central  7:18’ (photography)
’Bruxelles-Central 7:18’ (photography)
‘Canal houses in black and white’ (photography)
‘Canal houses in black and white’ (photography)
Self Portrait with Vase #111  (09/06/15) (photography)
Self Portrait with Vase #111 (09/06/15) (photography)
'Untitled #72'  100716 (photography)
'Untitled #72' 100716 (photography)
‘081 261114′  From the body prejudice project - ‘Brave or Beautiful’. (photography)
‘081 261114′ From the body prejudice project - ‘Brave or Beautiful’. (photography)
‘Mothers pearls #39′  05/12/16 (photography)
‘Mothers pearls #39′ 05/12/16 (photography)
‘What makes me a man? #113 190217′  “I lie about the size of my cock. I say it is much bigger than it is, it makes me feel like I am more of a man, stronger, more powerful.” (Photography)
‘What makes me a man? #113 190217′ “I lie about the size of my cock. I say it is much bigger than it is, it makes me feel like I am more of a man, stronger, more powerful.” (Photography)
Still life with Artist #2 (in creased pants, socks and sandals, and with iso beard).  July, 2020.
Still life with Artist #2 (in creased pants, socks and sandals, and with iso beard). July, 2020.
‘Self Portrait with Vase #128‘ (photography)
‘Self Portrait with Vase #128‘ (photography)
E & C #48 (photography)
E & C #48 (photography)
‘Life. (#152)’ (photography)
‘Life. (#152)’ (photography)
'Flora #61' (mixed media)
'Flora #61' (mixed media)
“Defocused #34” 031217  (Photography)
“Defocused #34” 031217 (Photography)
‘Photographic study #38’  190515 (photography)
‘Photographic study #38’ 190515 (photography)
‘Photographic study #60 (in black and white)’  190515  (photography)
‘Photographic study #60 (in black and white)’ 190515 (photography)
‘The Leanover (in red, white and yellow’)'. Painting (acrylic and graphite on canvas)
‘The Leanover (in red, white and yellow’)'. Painting (acrylic and graphite on canvas)
'Green and red'. Painting (Acrylic and graphite on paper)
'Green and red'. Painting (Acrylic and graphite on paper)
'cock iii'  (Acrylic and graphite) 2017
'cock iii' (Acrylic and graphite) 2017
“Colour study in Pink, Yellow and White (2017)”      (mixed media- acrylic and graphite))
“Colour study in Pink, Yellow and White (2017)” (mixed media- acrylic and graphite))
“Study iii (2016), in White (with Yellow)” -Framed (Mixed media- acrylic and graphite)
“Study iii (2016), in White (with Yellow)” -Framed (Mixed media- acrylic and graphite)
Alex (Acrylic on paper)
Alex (Acrylic on paper)
Lines  with green (July, 2016). (Photography)
Lines with green (July, 2016). (Photography)
Under the Sea (Unique state print)
Under the Sea (Unique state print)
Self portrait (of one of us). Oct, 2023 (Polaroid)
Self portrait (of one of us). Oct, 2023 (Polaroid)Physically manipulated Polaroid. Collab with Haraganazo (tumblr.com/haraganazo).
Lush #71.  Feb 2023.  (Photography)
Lush #71. Feb 2023. (Photography)Kodachrome E100 soaked in Gin and Tonic.
The essence of self (i) , 2023.  (Photography)
The essence of self (i) , 2023. (Photography)Unique state print. Salt water soaked 35mm slide film. Watercolour.
Melb Sept #08, 2023. (polaroid- mixed media)
Melb Sept #08, 2023. (polaroid- mixed media)Polaroid Transfer reattached and soaked in Alcohol and paint. Gouache then added and soaked in destructive chemicals.
Breaking through walls.. . Melb, July #15, 2023. (Polaroid)
Breaking through walls.. . Melb, July #15, 2023. (Polaroid)Polaroid Microwaved as developing. Injected with Gouache and then soaked in destructive liquids, Then soaked in gouache.
Melb August #12, 2023. (Polaroid)
Melb August #12, 2023. (Polaroid)Polaroid soaked in Alcohol and paint. Then soaked in destructive chemicals.
Melb, #10. May 2023. (Polaroid)
Melb, #10. May 2023. (Polaroid)Polaroid Microwaved as developing. Then soaked in destructive chemicals
Manhattan, Downtown #09.  Feb 2023. (Photography)
Manhattan, Downtown #09. Feb 2023. (Photography)Boiled Kodak 200 35mm film. B roll.
Melb #36. Nov, 2022. (Polaroid)
Melb #36. Nov, 2022. (Polaroid)Polaroid, soaked in bleach, injected with gouache and then soaked in bleach again.
NYC #08. Jan, 2023. (Polaroid)
NYC #08. Jan, 2023. (Polaroid)Polaroid print soaked in disinfectant.
non-objective thoughts iii . August, 2023. (photography)
non-objective thoughts iii . August, 2023. (photography)Layered boiled 35mm film.
Pareja rara (Photography- soaked Polaroid)
Pareja rara (Photography- soaked Polaroid)
Flora #07 (B roll). Oct, 2022.  (photography- boiled 35mm Film)
Flora #07 (B roll). Oct, 2022. (photography- boiled 35mm Film)
Flora #07 (D roll), Oct 2022. (photography- boiled 35mm film)
Flora #07 (D roll), Oct 2022. (photography- boiled 35mm film)
Flora #53.  Sept, 2022. (photography - boiled 35mm film)
Flora #53. Sept, 2022. (photography - boiled 35mm film)
NYC #5. Jan, 2022. Intentionally damaged Polaroid film.
NYC #5. Jan, 2022. Intentionally damaged Polaroid film.
New England landscape (USA) #06 022022 .  Intentionally damaged Polaroid. (photography, mixed media).
New England landscape (USA) #06 022022 . Intentionally damaged Polaroid. (photography, mixed media).
NYC #26, Feb 2022.  Intentionally damaged Polaroid. (photography, mixed media)
NYC #26, Feb 2022. Intentionally damaged Polaroid. (photography, mixed media)
NY #4658 012022 . Mixed media. Damaged Polaroid, watercolour, paper.
NY #4658 012022 . Mixed media. Damaged Polaroid, watercolour, paper.
NYC #03, Feb 2022. Collab with Azzolinus . Intentionally damaged Polaroid.
NYC #03, Feb 2022. Collab with Azzolinus . Intentionally damaged Polaroid.
NYC #11, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #11, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #06, jan 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #06, jan 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #09, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
NYC #09, Feb 2022. Collab with Azzolinus. Intentionally damaged polaroid.
Vase #06 . October 2021 . 'A' Roll.  . Kodak Gold 200, 35mm film. Boiled (and then I froze and reboiled). (photography)
Vase #06 . October 2021 . 'A' Roll. . Kodak Gold 200, 35mm film. Boiled (and then I froze and reboiled). (photography)
Abstract #02 . October 2021 . 'B' Roll.  . Fuji C200 200, 35mm film. Boiled (and then I froze and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'B' Roll. . Fuji C200 200, 35mm film. Boiled (and then I froze and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'A' Roll.  . Kodak Gold 200, 35mm film. Boiled (and then frozen and reboiled). Multiple exposure. (photography)
Abstract #02 . October 2021 . 'A' Roll. . Kodak Gold 200, 35mm film. Boiled (and then frozen and reboiled). Multiple exposure. (photography)
Beyond. (photography)
Beyond. (photography)
Where we meet. 110621 (photography)
Where we meet. 110621 (photography)
A Lightness. (#06).  August 2020.  Analogue manipulation of various 35mm films. (photography)
A Lightness. (#06). August 2020. Analogue manipulation of various 35mm films. (photography)
Hidden in the detail.  August 2020.  Stacked RPX100 35mm film. (photography)
Hidden in the detail. August 2020. Stacked RPX100 35mm film. (photography)
Some masks protect... . #46 Sept, 2021 . Photography, collage. Hands by Mr Met! . Shot on 35mm film: Fuji C200 (soaked in red wine and salt). (photography)
Some masks protect... . #46 Sept, 2021 . Photography, collage. Hands by Mr Met! . Shot on 35mm film: Fuji C200 (soaked in red wine and salt). (photography)
 fold e.     Artist: Schiavello (with Southcott). (photography)
fold e. Artist: Schiavello (with Southcott). (photography)
fold d.  Artist: Schiavello (with Southcott)  (photography)
fold d. Artist: Schiavello (with Southcott) (photography)
fold j. Artist: Schiavello (with Southcott) (photography)
fold j. Artist: Schiavello (with Southcott) (photography)
fold i.  Artist: Schiavello (with Southcott) (photography)
fold i. Artist: Schiavello (with Southcott) (photography)
Big Wimmera Sky. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Big Wimmera Sky. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Wimmera Silos. The bright afternoon summer sun reflecting off the metal silos. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Wimmera Silos. The bright afternoon summer sun reflecting off the metal silos. Shot on Fuji Provia 100F 35mm film, sometime before 2014 (Photography)
Self Portrait #11 170417  (Photography)
Self Portrait #11 170417 (Photography)
30:60:90 .  9141 221219  (Photography)
30:60:90 . 9141 221219 (Photography)
Pink and Yellow. #01. Oct, 2020 . (photography)
Pink and Yellow. #01. Oct, 2020 . (photography)Shot on Fuji Sensia 400 (expired ) slide film. Multiple exposure.
'Blended memory #2. From Swansea to Port Arthur, Tasmania (2019).'  (Photography)
'Blended memory #2. From Swansea to Port Arthur, Tasmania (2019).' (Photography)Title: 'Blended memory #2. From Swansea to Port Arthur, Tasmania (2019).'.We travelled across the land, with the sea at one side. We talked about our past relationships, and of our hopeful future together. Some of the moments we shared are still vividly clear. Some have merged and are blended. While the trip itself has in most parts, become dreamlike, the feeling of hopefulness we shared, remains clear and strong..Delta 3200 film (Stacked and scanned).
Flora #18. Oct, 2020 . (Photography)
Flora #18. Oct, 2020 . (Photography)Fuji C200 (Soaked in kettle cleaner ). Multiple exposure.
Tulips #40. Oct, 2020. (photography)
Tulips #40. Oct, 2020. (photography)Fuji C200 (Soaked in kettle cleaner ). Multiple exposure.
Antwerpen-Centraal. Torn. #1 . (1777 310121) (photography - cut up)
Antwerpen-Centraal. Torn. #1 . (1777 310121) (photography - cut up)Tearing up older work and making ephemeral collages.
The station. Torn #2 (1683 310121). (photography-Cut up)
The station. Torn #2 (1683 310121). (photography-Cut up)Tearing up older work and making ephemeral collages.
Our lives... (in black and white)  (Photography)
Our lives... (in black and white) (Photography)
Me and my shadow.  3752 291119  (photography)
Me and my shadow. 3752 291119 (photography)
Still life, with artist. 1.0706 . July, 2020
Still life, with artist. 1.0706 . July, 2020 photography
Still life, with artist. 2.0767 . July, 2020
Still life, with artist. 2.0767 . July, 2020 photography
Still life, with artist. 3.0869 . July, 2020
Still life, with artist. 3.0869 . July, 2020photography
Still life, with artist. 2.0767 . July, 2020 .
Still life, with artist. 2.0767 . July, 2020 . photography
Shadow (with lines) #71. . March, 2020. Agfa CT 100, 35mm Film. Soaked in Vodka, Multiple exposures, Negative version.
Shadow (with lines) #71. . March, 2020. Agfa CT 100, 35mm Film. Soaked in Vodka, Multiple exposures, Negative version. Film Photography
Still life (June, 2020). . Fuji C200 35mm film, soaked in kettle cleaner. Multiple exposure.
Still life (June, 2020). . Fuji C200 35mm film, soaked in kettle cleaner. Multiple exposure.photography
I have forgotten your face. The lines and features are now just a blur. We knew this would happen... . #30 Feb 2019. Multiple exposures on Boiled 35mm film.
I have forgotten your face. The lines and features are now just a blur. We knew this would happen... . #30 Feb 2019. Multiple exposures on Boiled 35mm film. photography
A thin line between... . #00A (crop). Feb 2019. Boiled 35mm film.
A thin line between... . #00A (crop). Feb 2019. Boiled 35mm film. photography
Night Driving. 3am. 9911 070620
Night Driving. 3am. 9911 070620photography
A monument to life....  9907 070620
A monument to life.... 9907 070620 photography
Lines... 01/09/20
Lines... 01/09/20 photography
AK and I, exploring the city.  Kodak gold 200, 35mm film.
AK and I, exploring the city. Kodak gold 200, 35mm film.
The Photographer  #33   100618  (Photography)
The Photographer #33 100618 (Photography)
iii. From the series  'X’.  ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (Mixed media)
iii. From the series 'X’. ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (Mixed media)
IX.  From the series  'X’.  ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (mixed media)
IX. From the series 'X’. ‘X’ was a collaboration between artist TomboyBill and myself. A merger of experimental photography and painting. (mixed media)
‘If Rothko were me…’  Mixed media (2 x 35mm film. Shot, processed and effected with bleach).  Sept 2018.
‘If Rothko were me…’ Mixed media (2 x 35mm film. Shot, processed and effected with bleach). Sept 2018.
Perfect #2.6  April 2019.  Intentionally interrupted digital scan of 35 mm film.
Perfect #2.6 April 2019. Intentionally interrupted digital scan of 35 mm film.
#5 (in Black and white), November 2018.  Intentionally interrupted digital scan of 35 mm film.  Collaboration with Mr Met!
#5 (in Black and white), November 2018. Intentionally interrupted digital scan of 35 mm film. Collaboration with Mr Met!
I never knew love like this before....  (AKA - Boiled #51). March 2019.  AGFA CT Precisa, 35mm film.
I never knew love like this before.... (AKA - Boiled #51). March 2019. AGFA CT Precisa, 35mm film.
Boiled #03 (positive version) November 2018 . Fujicolour C200, 35mm film.
Boiled #03 (positive version) November 2018 . Fujicolour C200, 35mm film.
'Flora #5 200818'. Mixed media (Flora, 35mm film)
'Flora #5 200818'. Mixed media (Flora, 35mm film)
Multi exposure on 35mm film. Image #27, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #27, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #6, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Multi exposure on 35mm film. Image #6, August-September 2018. Film: AGFA CT Precisa 100 (soaked in Window Cleaner and gifted by Walter: ello.co/walter_ac) .
Suburban twilight, 180419.
Suburban twilight, 180419.
Always reaching out to each other.  13 120718
Always reaching out to each other. 13 120718
‘Life in slow motion #91  230716′ (Photography)
‘Life in slow motion #91 230716′ (Photography)
‘Life in slow motion #47  230716′  (Photography)
‘Life in slow motion #47 230716′ (Photography)
Object (iv).  091217  (Photography)
Object (iv). 091217 (Photography)
‘Winter light and lines in Bendigo’  2017.  (Photography)
‘Winter light and lines in Bendigo’ 2017. (Photography)
 'Just around the corner...' May 2017. (Photography)
'Just around the corner...' May 2017. (Photography)
Defocused #451 (photography)
Defocused #451 (photography)From a small series of defocused  images. The aim was to shift attention away from defined form and what the form means to us and instead to focus on colour. More precisely to bring our attention to the Hue/s (the colour/s), Saturation (how strong or saturated the colour is) and value (how light or dark the colour is) in the image.
“Defocused #449” (photography)
“Defocused #449” (photography)
All my dark thoughts #19 (09/11/15) (mixed media)
All my dark thoughts #19 (09/11/15) (mixed media)
Untitled #13 270415 (a.k.a il pianto)  (mixed media)
Untitled #13 270415 (a.k.a il pianto) (mixed media)
‘Wings of flight #09 181016′ (mixed media)
‘Wings of flight #09 181016′ (mixed media)
Seminal works #10 110116 (mixed media)
Seminal works #10 110116 (mixed media)
‘Seminal works #30 090116′ (mixed media)
‘Seminal works #30 090116′ (mixed media)
new works #7 (06/02/15) (mixed media)
new works #7 (06/02/15) (mixed media)
new works #8 (06/02/15) (mixed media)
new works #8 (06/02/15) (mixed media)
new works #36 (10/02/15) (mixed media)
new works #36 (10/02/15) (mixed media)
new works #30 (10/02/15) (mixed media)
new works #30 (10/02/15) (mixed media)
new works #31 (10/02/15) (mixed media)
new works #31 (10/02/15) (mixed media)
Together, alone . 2690 170921 (photography)
Together, alone . 2690 170921 (photography)
Blood portrait #36 .  from the series ‘Me, through me’ (2017). (photography)
Blood portrait #36 . from the series ‘Me, through me’ (2017). (photography)
Piss ii  (Unique state print)
Piss ii (Unique state print)
Composition #2896. 190921 (photography)
Composition #2896. 190921 (photography)
‘The suburbs #171′  (01/10/15)  (Photography)
‘The suburbs #171′ (01/10/15) (Photography)
'Permit Zone, Fitzroy' (photography)
'Permit Zone, Fitzroy' (photography)
'The day after'.  (a.k.a 'The suburbs #183 081015') (photography)
'The day after'. (a.k.a 'The suburbs #183 081015') (photography)
'Vault/Yellow Peril' (photography)
'Vault/Yellow Peril' (photography)
'The Paris end of Collins st, late night.'  170716 (photography)
'The Paris end of Collins st, late night.' 170716 (photography)
‘the city sleeps…  #12’ (photography)
‘the city sleeps… #12’ (photography)
‘Untitled #76’ (photography)
‘Untitled #76’ (photography)
“Hometown Untitled  #31” (photography)
“Hometown Untitled #31” (photography)
“Hometown Untitled  #26” (photography)
“Hometown Untitled #26” (photography)
IMG_ 2434 (Photography)
IMG_ 2434 (Photography)
IMG_ 0843 (Photography)
IMG_ 0843 (Photography)
IMG_ 0860 (Photography)
IMG_ 0860 (Photography)
IMG_ 0527 (Photography)
IMG_ 0527 (Photography)
'Night falls across the city  (No. 8, 260317)' (Photography)
'Night falls across the city (No. 8, 260317)' (Photography)
‘Night falls #115’ (photography)
‘Night falls #115’ (photography)
‘Somewhere along the Wimmera Highway at dusk #147’ (photography)
‘Somewhere along the Wimmera Highway at dusk #147’ (photography)
’Bruxelles-Central  7:18’ (photography)
’Bruxelles-Central 7:18’ (photography)
‘Canal houses in black and white’ (photography)
‘Canal houses in black and white’ (photography)
Self Portrait with Vase #111  (09/06/15) (photography)
Self Portrait with Vase #111 (09/06/15) (photography)
'Untitled #72'  100716 (photography)
'Untitled #72' 100716 (photography)
‘081 261114′  From the body prejudice project - ‘Brave or Beautiful’. (photography)
‘081 261114′ From the body prejudice project - ‘Brave or Beautiful’. (photography)
‘Mothers pearls #39′  05/12/16 (photography)
‘Mothers pearls #39′ 05/12/16 (photography)
‘What makes me a man? #113 190217′  “I lie about the size of my cock. I say it is much bigger than it is, it makes me feel like I am more of a man, stronger, more powerful.” (Photography)
‘What makes me a man? #113 190217′ “I lie about the size of my cock. I say it is much bigger than it is, it makes me feel like I am more of a man, stronger, more powerful.” (Photography)
Still life with Artist #2 (in creased pants, socks and sandals, and with iso beard).  July, 2020.
Still life with Artist #2 (in creased pants, socks and sandals, and with iso beard). July, 2020.Photography
‘Self Portrait with Vase #128‘ (photography)
‘Self Portrait with Vase #128‘ (photography)
E & C #48 (photography)
E & C #48 (photography)
‘Life. (#152)’ (photography)
‘Life. (#152)’ (photography)
'Flora #61' (mixed media)
'Flora #61' (mixed media)
“Defocused #34” 031217  (Photography)
“Defocused #34” 031217 (Photography)
‘Photographic study #38’  190515 (photography)
‘Photographic study #38’ 190515 (photography)
‘Photographic study #60 (in black and white)’  190515  (photography)
‘Photographic study #60 (in black and white)’ 190515 (photography)
‘The Leanover (in red, white and yellow’)'. Painting (acrylic and graphite on canvas)
‘The Leanover (in red, white and yellow’)'. Painting (acrylic and graphite on canvas)
'Green and red'. Painting (Acrylic and graphite on paper)
'Green and red'. Painting (Acrylic and graphite on paper)
'cock iii'  (Acrylic and graphite) 2017
'cock iii' (Acrylic and graphite) 2017
“Colour study in Pink, Yellow and White (2017)”      (mixed media- acrylic and graphite))
“Colour study in Pink, Yellow and White (2017)” (mixed media- acrylic and graphite))
“Study iii (2016), in White (with Yellow)” -Framed (Mixed media- acrylic and graphite)
“Study iii (2016), in White (with Yellow)” -Framed (Mixed media- acrylic and graphite)
Alex (Acrylic on paper)
Alex (Acrylic on paper)
Lines  with green (July, 2016). (Photography)
Lines with green (July, 2016). (Photography)
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